/ 2014

Silent serie

Collaboration with Julie van der Vaart for the exhibition the white rabbit (Leuven)

/ 2014

Silent serie

Collaboration with Julie van der Vaart for the exhibition the white rabbit (Leuven)

/ 2014

Here’s looking at you, kid!

Video installation inspired on the movie Casablanca (1942). It was presented in a box which the visitor could only see by looking through a hole. The video shows the physical tention of a relationship between a man and a woman

/ 2014

Here’s looking at you, kid!

Video installation inspired on the movie Casablanca (1942). It was presented in a box which the visitor could only see by looking through a hole. The video shows the physical tention of a relationship between a man and a woman

/ 2013

White coated

Video inspired on the myth ‘ de bokkenrijders’. Its tells the story of a woman with a repetitve and stereotyp behavior who by a change is led to destruct her persona. Scenario & Regie : Eveline Lambrechts Camera & montage

/ 2013

White coated

Video inspired on the myth ‘ de bokkenrijders’. Its tells the story of a woman with a repetitve and stereotyp behavior who by a change is led to destruct her persona. Scenario & Regie : Eveline Lambrechts Camera & montage

/ 2013

Hull

Lino (1,20×0,80m) i made voor the ‘Steamroller printing event’ in museum Miat, Gent. This lino is inspired by the folk tale “de bokkenrijders”. The image is a human torso with a lot of hair. It also illustrates the thin line

/ 2013

Hull

Lino (1,20×0,80m) i made voor the ‘Steamroller printing event’ in museum Miat, Gent. This lino is inspired by the folk tale “de bokkenrijders”. The image is a human torso with a lot of hair. It also illustrates the thin line

/ 2013

Mine

Installation in which there’s a board that’s filled with glass wool. I wanted to make it huge in size but subtile with the location. The Title ‘Mine’ refers to the location but also to consumption and greed. The Glass wool

/ 2013

Mine

Installation in which there’s a board that’s filled with glass wool. I wanted to make it huge in size but subtile with the location. The Title ‘Mine’ refers to the location but also to consumption and greed. The Glass wool

/ 2013

Melancholia’s dog

Collaboration with Arne Wastyn. Eveline Lambrechts drew the upper portion of the playing card. Send it to Arne Wastyn, who made the exact same drawing at the same size with only 6 details that differ. ‘Melancholia’s dog’ deals with a

/ 2013

Melancholia’s dog

Collaboration with Arne Wastyn. Eveline Lambrechts drew the upper portion of the playing card. Send it to Arne Wastyn, who made the exact same drawing at the same size with only 6 details that differ. ‘Melancholia’s dog’ deals with a

/ 2012

Never/More Merchant

Video inspired on the movie “La grande bouffe” (1973) It tells the story of a man who has a great insensitivity to the consequences of his own actions because he’s in the vicious circle of consumption. Scenario & Regie :

/ 2012

Never/More Merchant

Video inspired on the movie “La grande bouffe” (1973) It tells the story of a man who has a great insensitivity to the consequences of his own actions because he’s in the vicious circle of consumption. Scenario & Regie :

/ 2012

Table

Installation in which the ratio between subject and object is being examined In ‘Table’. Today, the power of the subject shifted towards the object. Objects are becoming à la Pinocchio more humane and intelligent and unconsciously take over control because

/ 2012

Table

Installation in which the ratio between subject and object is being examined In ‘Table’. Today, the power of the subject shifted towards the object. Objects are becoming à la Pinocchio more humane and intelligent and unconsciously take over control because

/ 2012

We’re made of stone

The fascinating thing of old photos of mountain vacations is that the huge mountains are entirety photographed with the person. This resulted in an image with many stone and little man. For “We’re made ​​of stone” i have several of

/ 2012

We’re made of stone

The fascinating thing of old photos of mountain vacations is that the huge mountains are entirety photographed with the person. This resulted in an image with many stone and little man. For “We’re made ​​of stone” i have several of

/ 2012

Anath & Bäal

Video inspired on one of the oldest mythes of crying; The myth of Anath & Baäl. In this myth the brother Baäl dies and the sister Anath ‘drinks tears as wine’. In my video the Identical twin stands for the

/ 2012

Anath & Bäal

Video inspired on one of the oldest mythes of crying; The myth of Anath & Baäl. In this myth the brother Baäl dies and the sister Anath ‘drinks tears as wine’. In my video the Identical twin stands for the

/ 2012

Boetekleed

Installation based on a photoshop i made ​​earlier in the year 2012. The idea behind it is a mix of the ‘melancholic bride’ with a convention of crying. This convention is in a certain culture,  when a woman walks to

/ 2012

Boetekleed

Installation based on a photoshop i made ​​earlier in the year 2012. The idea behind it is a mix of the ‘melancholic bride’ with a convention of crying. This convention is in a certain culture,  when a woman walks to

/ 2012

Dürer’s solid

Projection mapping on the truncated rhombohedron from the print melancholia I (1514) by Albrecht Dürer. Three personal stories about melancholy are combined in a poem that is visually projected and spoken. Poem We don’t cry I do not. I only

/ 2012

Dürer’s solid

Projection mapping on the truncated rhombohedron from the print melancholia I (1514) by Albrecht Dürer. Three personal stories about melancholy are combined in a poem that is visually projected and spoken. Poem We don’t cry I do not. I only

/ 2012

Boetekleed

Visualization / stillness of the traces of tears. The veil symbolizes the invisible salted trace formed by tears. The pictures are old pictures of family, friends, newspapers, magazines,… which I’ve edited in photoshop and printed on ordinary office paper. I

/ 2012

Boetekleed

Visualization / stillness of the traces of tears. The veil symbolizes the invisible salted trace formed by tears. The pictures are old pictures of family, friends, newspapers, magazines,… which I’ve edited in photoshop and printed on ordinary office paper. I

/ 2012

Charcoal

charcoal drawings where tears are greatly exaggerated. 2m x 1,50 m, 2m x 1m, 2m x 1m.

/ 2012

Charcoal

charcoal drawings where tears are greatly exaggerated. 2m x 1,50 m, 2m x 1m, 2m x 1m.

/ 2011

Phallic Bottles

During my research into the history of the tears, I discovered the use of tear bottles or lachrymatory in the Roman period. People used to cry in the bottles to give the grief in the tomb. Later in the Victorian period

/ 2011

Phallic Bottles

During my research into the history of the tears, I discovered the use of tear bottles or lachrymatory in the Roman period. People used to cry in the bottles to give the grief in the tomb. Later in the Victorian period

/ 2011

Etchings/Litho’s

Etchings and litho’s about the melancholic cowboy, the knight of tears, croco man and many more.

/ 2011

Etchings/Litho’s

Etchings and litho’s about the melancholic cowboy, the knight of tears, croco man and many more.

/ 2011

Photography

Photography with the theme of the saint veronica in different contexts.

/ 2011

Photography

Photography with the theme of the saint veronica in different contexts.

/ 2010

I’m on a Horse 2.0

This is my knight of tears. I’ve made him from real tears that i’ve been collecting from people around me. I poured it into a silicone casting and put it into the freezer. Then Levi Calcagnile and i melted it

/ 2010

I’m on a Horse 2.0

This is my knight of tears. I’ve made him from real tears that i’ve been collecting from people around me. I poured it into a silicone casting and put it into the freezer. Then Levi Calcagnile and i melted it

/ 2010

I’m on a Horse 1.0

Test video of melting a wax horse. By Eveline Lambrechts & Levi Calcagnile. 2011.

/ 2010

I’m on a Horse 1.0

Test video of melting a wax horse. By Eveline Lambrechts & Levi Calcagnile. 2011.

/ 2010

My Very own ar(t)s(e) hole

This video tells the proces of getting an idea and screenprinting it! Idea & animator : Eveline Lambrechts Camera & montage : Levi Calcagnile

/ 2010

My Very own ar(t)s(e) hole

This video tells the proces of getting an idea and screenprinting it! Idea & animator : Eveline Lambrechts Camera & montage : Levi Calcagnile

/ 2009

Hopscotch

Installation with video and printmaking. A hopscotch path made ​​of screenprints, linocuts and drawings leads to a TV with instructions what to do/play. Installation & actrice : Eveline Lambrechts Camera & montage : Levi Calcagnile

/ 2009

Hopscotch

Installation with video and printmaking. A hopscotch path made ​​of screenprints, linocuts and drawings leads to a TV with instructions what to do/play. Installation & actrice : Eveline Lambrechts Camera & montage : Levi Calcagnile