/ 2012

Table

Installation in which the ratio between subject and object is being examined In ‘Table’. Today, the power of the subject shifted towards the object. Objects are becoming à la Pinocchio more humane and intelligent and unconsciously take over control because

/ 2012

Table

Installation in which the ratio between subject and object is being examined In ‘Table’. Today, the power of the subject shifted towards the object. Objects are becoming à la Pinocchio more humane and intelligent and unconsciously take over control because

/ 2012

We’re made of stone

The fascinating thing of old photos of mountain vacations is that the huge mountains are entirety photographed with the person. This resulted in an image with many stone and little man. For “We’re made ​​of stone” i have several of

/ 2012

We’re made of stone

The fascinating thing of old photos of mountain vacations is that the huge mountains are entirety photographed with the person. This resulted in an image with many stone and little man. For “We’re made ​​of stone” i have several of

/ 2012

Anath & Bäal

Video inspired on one of the oldest mythes of crying; The myth of Anath & Baäl. In this myth the brother Baäl dies and the sister Anath ‘drinks tears as wine’. In my video the Identical twin stands for the

/ 2012

Anath & Bäal

Video inspired on one of the oldest mythes of crying; The myth of Anath & Baäl. In this myth the brother Baäl dies and the sister Anath ‘drinks tears as wine’. In my video the Identical twin stands for the

/ 2012

Boetekleed

Installation based on a photoshop i made ​​earlier in the year 2012. The idea behind it is a mix of the ‘melancholic bride’ with a convention of crying. This convention is in a certain culture,  when a woman walks to

/ 2012

Boetekleed

Installation based on a photoshop i made ​​earlier in the year 2012. The idea behind it is a mix of the ‘melancholic bride’ with a convention of crying. This convention is in a certain culture,  when a woman walks to

/ 2012

Dürer’s solid

Projection mapping on the truncated rhombohedron from the print melancholia I (1514) by Albrecht Dürer. Three personal stories about melancholy are combined in a poem that is visually projected and spoken. Poem We don’t cry I do not. I only

/ 2012

Dürer’s solid

Projection mapping on the truncated rhombohedron from the print melancholia I (1514) by Albrecht Dürer. Three personal stories about melancholy are combined in a poem that is visually projected and spoken. Poem We don’t cry I do not. I only

/ 2012

Boetekleed

Visualization / stillness of the traces of tears. The veil symbolizes the invisible salted trace formed by tears. The pictures are old pictures of family, friends, newspapers, magazines,… which I’ve edited in photoshop and printed on ordinary office paper. I

/ 2012

Boetekleed

Visualization / stillness of the traces of tears. The veil symbolizes the invisible salted trace formed by tears. The pictures are old pictures of family, friends, newspapers, magazines,… which I’ve edited in photoshop and printed on ordinary office paper. I

/ 2012

Charcoal

charcoal drawings where tears are greatly exaggerated. 2m x 1,50 m, 2m x 1m, 2m x 1m.

/ 2012

Charcoal

charcoal drawings where tears are greatly exaggerated. 2m x 1,50 m, 2m x 1m, 2m x 1m.